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  2. Hans Zimmer - Wikipedia

    • Hans Florian Zimmer is a German film score composer and music producer. He has won two Oscars, four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007. His works are notable for integrating electronic music sounds with traditional orchestr… See more

    Early life

    Zimmer was born in Frankfurt, West Germany. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home but had piano lessons only briefly, as he disliked the discipline of formal less… See more

    Career

    Zimmer began his career playing keyboards and synthesizers in the 1970s, with the band Krakatoa. He worked with the Buggles, a new wave band formed in London in 1977 with Trevor Horn, Geoff Downes… See more

    Personal life

    Zimmer's first wife was model Vicki Carolin, with whom he has a daughter. The couple divorced in 1992. On 3 April 2020, Zimmer filed for divorce from his second wife, Suzanne Zimmer, with whom he has three children. O… See more

    Awards and honours

    Zimmer has received a range of honours and awards, including the Max Steiner Film Music Achievement Award at Hollywood in Vienna in 2018, the Career Achievement Award "for excellence in film music compositio… See more

     
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  1. Hans Zimmer has cited several composers as his influences1:
    • Ennio Morricone
    • Carter Burwell
    • Wolfgang Amadeus Mozart
    • György Ligeti
    • Edward Elgar
    • Richard Wagner
    • Stanley Myers
    • Trevor Horn
    • Jerry Goldsmith
    • Lalo Schifrin
    • Alfred Newman
    • Elmer Bernstein
    • Bernard Herrmann
    • John Williams
    • Maurice Jarre
    • Robert Schumann
    • Johannes Brahms
    • Joseph Joachim
    • Max Steiner
    • Charles Munch
    • Hector Berlioz
    • Franz Waxman
    • Pyotr Tchaikovsky
    • John Barry
    • Ludwig Von Beethoven
    • James Horner
    • Michael Kamen
    • Michael Nyman
    Zimmer was strongly influenced by the film scores of Ennio Morricone during his childhood2.
    Learn more:

    Zimmer stated composers like Ennio Morricone, Carter Burwell, Wolfgang Amadeus Mozart, György Ligeti, Edward Elgar, Richard Wagner, Stanley Myers, Trevor Horn, Jerry Goldsmith, Lalo Schifrin, Alfred Newman, Elmer Bernstein, Bernard Herrmann, John Williams, Maurice Jarre, Robert Schumann, Johannes Brahms, Joseph Joachim, Max Steiner, Charles Munch, Hector Berlioz, Franz Waxman, Pyotr Tchaikovsky, John Barry, Ludwig Von...

    simple.wikipedia.org/wiki/Hans_Zimmer
    He moved to London as a teenager and attended Hurtwood House school. During his childhood, he was strongly influenced by the film scores of Ennio Morricone and has cited Once Upon a Time in the West as the score that inspired him to become a film composer.
    en.wikipedia.org/wiki/Hans_Zimmer
     
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  7. Ennio Morricone – my inspiration, by Hans Zimmer

    If you listen to Once Upon a Time in the West there are many Bach influences and, actually, Mozart influences, too; he uses both styles so well and gives it completely his own voice. Analyse any one of Morricone’s pieces, look at the …

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    Mar 23, 2022 · Hans Zimmer is the most influential composer working in Hollywood today, having scored more than 200 films over his 30-plus years in the industry, including Gladiator, Thelma and Louise, Blade...

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    Dec 4, 2023 · Learn how Hans Zimmer transformed the film industry with his innovative and diverse compositions, from The Lion King to Inception. Discover his influences, collaborations, and achievements in this comprehensive article.

  11. How Hans Zimmer Became a Rock Star - The Atlantic

    Feb 16, 2017 · Zimmer’s big break in the movie industry was Rain Man (1988), after which he became a studio workhorse, churning out five to six scores a year for films like Driving Miss Daisy, Days of...

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    Drawing from extensive archival research, I examine the producer’s memos, composers’ scores, and various correspondences to trace streams of influence that shaped the musical rhetoric of Selznick’s most significant films.

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